OxBlog

Thursday, August 28, 2003

# Posted 12:27 PM by Ariel David Adesnik  

WAS IT OVER WHEN THE GERMANS BOMBED PEARL HARBOR? In honor of the 25th anniversary of Animal House, the NYT has an essay charting the film's influence on the countless frat-house flicks that have followed in its wake.

It's a good essay, but I'd like to expand on one point. Film critic Elvis Mitchell says that the lovable misfits of Delta house won us over because they were rebelling against an American establishment with authoritarian habits. Mitchell even quotes director John Landis saying that the creators did their best to make the bad guy frat come off as Nazis.

Now, back when I was in college, I had a hard time convincing my friends that there was any political content in Animal House. Sort of the same way that my friends now aren't willing to believe that there is any political content in professional wrestling.

To be fair, I'm not going to pretend that AH was a political film, rather than one about college. But it's message is very clear, and it isn't just about rebels vs. fascists. It's about the World War II generation vs. the Cold War generation that sunk the United States into the quicksand of Vietnam.

It's no accident that campus enforcer Doug Niedermeyer is in charge of the ROTC unit, or that the Dean threatens to notify the draft board that the men of Delta house have been expelled are no longer entitlted to deferments. In spite of AH's happy-go-lucky charm, the characters' lives are on the line. That is an important reason why AH is so much more compelling than recent knock-offs like Old School, in which the main characters are running away from adult life rather than resisting death.

So what about the WWII vs 'Nam symbolism? Again, it's no accident that Delta has a motorcycle riding member named D-Day who wears a vintage Army helmet, or that John Belushi tries to inspire his troops by referring to Pearl Harbor. Perhaps the most telling Vietnam symbolism in the film comes at its end, when the camera freeze-frames on each of the main characters and reveals their future. Niedermeyer goes to Vietnam and gets killed by his own troops. His buddy Greg becomes a Nixon White House aide and is later raped in prison.

A murder and a rape. In context, they seem downright hilarious. They are punishments that these men deserve. But here, in a essay focused on politics, it becomes clear just how brutal these punishments are. Hidden in humor, they are indication of just how deadly serious Animal House was.

Today, the WWII generation has become the "Greatest Generation", known for its unmatched sacrifice and courage, not to mention its hard work and family values. But before Tom Brokaw took advantage of the vets' fading memories to recast their image, the men of WWII were once a symbol of how a melting-pot nation came together to face down an authoritarian menace.

The men of WWII were not Boy Scouts. They were a little bit wild, a little bit like the men of Delta House. They were the embodiment of democratic freedom. They were individuals. They broke the rules and they had a good time. But when push came to shove, they were willing to put it all on the line and lay down their lives for the freedoms they cherished.
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